All Posts

Hi, can anyone share where they buy patch leads, as in, the best value supplier?

I will definitely need some quite long ones, 2.5M or 3M because of the way I lay out my various machines.

I've bought a few from Amazon but the long ones there seem pricey.

I'm based in UK

Thanks for any help
T

i think that a mixer with the features that you are describing in 10hp simply does not exist.

Cosmotronic has some feature packed mixeres in reasonable hp

i'm really not willing to induce any gas. but i would not try to fit more voices and add a mixer in your case. you certainly don't want to remove utilities to add voices.
maybe it's time to think of expanding the hps ?
or maybe get a 1010 bluebox desktop ?

VoltRatio

The VoltRatio 1V/OCT CV input allows you to quickly and easily switch through exactly 6 harmonic degrees. Additionally, this module enables you to obtain both a copy of the fundamental frequency's voltage and a frequency one octave below simultaneously, allowing you to comfortably control up to 3 oscillators at once. Furthermore, designed as a precision multiple, this module offers precise and professional calibration options, helping your system stay in accurate tuning and advancing both you and your system.

The frequency ratio system, which can also be found in the first digital examples of Thru Zero Frequency Modulation and allows easy adjustment of harmonic degrees in all operator oscillators according to the fundamental frequency, is crucial for maintaining musical and tonal compatibility. This system greatly simplifies programming in complex FM patches. With the three separate outputs designed as Vaemi, which replicate the 1V/OCT CV input like a precision multiple and provide different degrees, you can use all analog thru zero or standard voltage-controlled oscillators. Quickly navigating between harmonic degrees during recording or live performances will provide significant musical and practical advantages. The output providing harmonic degrees (Ratios) includes 2 buffered outputs, making a total of 4 CV outputs on the module.

You can adjust the desired voltage and harmonic degrees between 0-6V according to your preferences and needs using the trimpots on the back of the module. Additionally, you can set the -1 OCT output to the desired negative level using the trimpots on the back.

All inputs and outputs of the module are DC coupled. Essentially, the module adds or subtracts an offset voltage to the voltage entered into the 1V/OCT CV input. We can think of it as a precision CV adder-subtractor. The sum of the entered and added voltages is what comes out of the outputs. In short, you can also use this module to shift the offset, process signals like envelopes or LFOs, and more. (Note about the module: one of the most important points is that it has both positive and negative outputs and precise calibrations for offset and CV scale. So, it’s not just about adding offset voltage to the voltage.)

You can read which channel you are on from the top of the module or easily determine it with the help of LEDs. The module is 10HP wide.

Website:
https://en.vaemi.net/product-page/voltratio-precision-voltage-adder-subtractor-harmonic-cv-controller-eurorack

Etsy:
https://vaemisynth.etsy.com/listing/1787486561

Reverb.com:
https://reverb.com/item/84455925

ModularGrid:
https://modulargrid.net/e/vaemi-voltratio

wow- incredible website!

just what I needed, thank you!

Is there an API that will allow me to return my owned module collection as a list of JSON objects
-- out_of_band

This should work but can change anytime.

https://modulargrid.net/e/modules/find.json?SearchSet=my

5 Oscillators: Pittsburgh Modular Generation X, Waldorf NW1, TipTop Z3000, Bastl Grandpa + Spa, Antumbra Knit running through 7 clocking modules, a sequencer, 2 chaos machines, 8 LFOs, 4 VCAs, 4 EGs, 3 filters, a BBD delay, Sub Rings, and a bit crusher. Mixer can handle 10 audio feeds.

Metropolix & Rene v1 sequencing Rubicon & DPO with Maths, 4 VCAs, 4 LFOs, 3 MS-20 filters, Dirt filter, Phaser, Delay, Expanded Clouds,and a reverb for good measure.

Brains & Odessa Harmonic Oscillators controlled by Euclidian Circles & Moskwa sequencers, offset by a Source of Uncertainty & Miso. Polyvoks and Belgrad filters, with reverb, phaser, Phonogene sampling delay and Bad Comrade glitches 7 VCAs, 9 LFOs, 3 EGs. Odessa Expander provides 5 harmonic outputs while .COM adds additional Sub-Octaves. BRST + 2CK give multiple clocks to the sequencers.

I have been looking forward to play with my new Moog DFAM. I had a few short sessions to play with it before today but today during lunch it broke it out and pluged it in with the rest of my modular setup.

Video shows me playing it. Descriptions list modules used.

=f36a9bcf7b254e1eaae18c6f3f78f4c6&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Also have:
- Mystic Circuits 0HP Blinkus
- 2x ST Modular Workmate 0hp Attenuator
- Life is Unfair Potential - Dual CV Joystick Controller
- Korg SQ-1

Another interesting module from Djupviks. A CV mixer with a chaos core to add some interesting spice to your CV signals.

Really simple build, mostly surface mount already installed, a single-session kit.

And very interesting output. Adds some chaos to mod signals, and I actually tried it with a drum module (see demo section) to get some interesting patterns.
If you’re looking to add some random creativity to your mix, give this a try.

Build

Have a great weekend all!

Hi,

I am having issues with the MIDI ports on the Poly2 and ableton.

The poly2 is connected to a midi mac via USB. Ableton sees the Poly2 and i can send MIDI message to it and play external gears via cv/gate. However, Ableton completely ignore the incoming MIDI i am sending from my keystep into the Poly2 MIDI IN (e.g. i can't record any MIDI)
Everything looks fine in Abeleton and indeed if i swap to another interface (e.g. expert sleepes ES9) keeping the same configuration, everything works fine.
I am wondering if someone had the same experience. I wrote and email to Polyend but no luck so asking here.
Thanks in advance,
Regards,
Mat

Mixer? A start of an answer here: https://doudoroff.com/mixers/

Hi! This is our very first time performing live together with our modulars. We were guests at Modular on the Spot, playing outside on top of Fort Maarsseveen in the middle of the Netherlands. The weather was perfect so we were very lucky.

We have so much fun making music together and have rehearsed multiple times to prepare for this performance. We're excited to perform together even more in the future, so feel free to spread the word 🙂

For now, enjoy the ride, and we’re very curious to hear what you think of this video and our music!

for some context: here's a jam from this set-up. I wasn't using the beatstep pro in this case.

https://drive.google.com/file/d/1p91NkL6YpydLEc7GVf79kLT8dsg_ig-T/view?usp=sharing

Hello - thanks for taking a look at my current rack. Im still new to modular (this year) and enjoying it so much.
My rack also has a beatstep pro and a mother-32 on the side with a EH cathedral reverb

Looking for suggestions for a mixer/vca module that can be a final mixer... my needs are not set in stone but here are my 'ideal' features:
* six channels or more
* cv control / vca functionality
* stereo panning from mono input
* something close to 8HP?? 10HP???
* BONUS - sequential sequncer ability?

Sound design goals:
Percusive-focused minimal Drum and bass to complement my Moog mother-32 (with a digi reverb on the side) doing lead melodies. I may remove the blm 'rings' clone and replace with another VCO that can do folding. I really just like a sidechained bassline breathing along with the maths+drums and mother32 sounds on top. I see myself bringing in one more smaller HP drum module for a snare/clap/samples.

Right now im working in mono but would like to go stereo at the final mix. I see the utility and sense of a desktop mixer but I would like to make this rack an all-in-one-rackbrute that can leave home easily.

I am willing to make room by removing my Manhattan Analog mix, one of the Happy Nerding MIA, and the BLM Resonator.
However, I'd also like to add a wave-folding VCO and a small clap/snare/sample module. I LOVE my Malekko quad VCA (small and feature-rich) but I think a mixer would better serve me.

Ive been looking at modules like:
* AniModule M1xXOR
* ALM Jumble Henge
* Pittsburgh Modular Stereo Okapi
* Hikari Atten/Mixer
* Mannequins COLD MAC

Any ideas are appreciated, I am flexable! Also open to recomendations on a VCO and snare/clap/sample element or cool rythmic stuff.

JPG https://cdn.modulargrid.net/img/racks/modulargrid_2592332.jpg

Both... that is the correct answer
-- Dub007

The leftover space is for a uBraids or beehive and another quad vca, but I like the way you think!

Thanks though. I could have used that info last year, shortly after I got my Tip Top Happy Ending kit and didn't realize that the rating on the PSU module is TWICE the included wall wart is rated for. I was overloading what I thought was a perfectly fine power supply because the wall wart is only rated for 1000mA but the module can handle 2000mA. I thought that was pretty poor execution on their part. Who knows who else is running this thing too hot because they grew off of that kit?

EDITED Aug 28th, 17:33

Both... that is the correct answer

so you do... didn't spot it before...

Foxtrot Duo is a new stereo VCF based on Foxtrot's three filter models (modelled on Moog ladder, Korg MS-20 and Oberheim SEM). Use it in Mono mode, and it's just like a single Foxtrot channel, or switch to Stereo for, well, stereo things. Available in limited numbers now – more to come in September.

Please help me with making a decision. Looking for a great multi channel modulation source. I want something more exciting than Batumi. Here's my rack:

Currently torn between Kermit MK3 and o_C. So far the pros and cons I gathered are:
o_C:
- More versatile? Many different modes for modulation. Sequencing - euclidean, random etc. Just generally lots of different features. Hemispheres. Much cheaper even compared to a second hand Kermit. Also smaller.
However - More menu diving, less hands-on.
Kermit:
Can be a great wavetable oscillator. Preset morphing. More hands-on.

That's what I gathered so far. Can someone explain just how much Kermit ground the o_C covers? Is there preset morphing or something similar in o_C that kermit can do? Wavetable oscilaltor? Any pros and cons comparing both that you can think of? Just to mention, I've had Batumi, but sold it to fund a Matriarch. Now I'm looking for more modulation again and want to try something new.

Thanks in advance!

This module is pretty dope! Made a patch and a video today. Cheers!

youtube account

www.youtube.com/@Gravitymike-2050

EDITED Aug 28th, 10:34

I would like to see a feature for manufacturers (or perhaps users) to "give weight, or rating" to each function of a module that is present on a specific module. Essentially, what I'm asking for, is a way to be able to filter modules on their main purpose. The purpose they are/were being marketed for.

Currently, if I am looking for a module that mainly functions as a VCA, or any function for that matter, I will get flooded with modules that have a VCA, but have about 10 different functions and just happen to also work as a VCA. It is not their main function, and is often far from the results I was looking for.

For example. Any given module could have a primary, secondary and tertiary function listed. These are factored in for the search results. Any other functions can also be tagged for, but only show when the page of a given module is loaded, not within the search results.

Perhaps there is a way to make the search function a bit more user friendly this way.

This may already exist, but asking here seems like it makes more sense than making a separate thread.

Is there an API that will allow me to return my owned module collection as a list of JSON objects, or even a CSV? I can scrape the /e/modules/find/page results but would rather just get the raw data if possible. If that doesn't exist, it'd be a nice to have an endpoint that allows for that output format.

you should leave headroom on all rails? 25-30%

-- JimHowell1970

I have a second power supply to the right of the Bartender.

you should leave headroom on all rails? 25-30% is a good idea... so when it says 1A... you should really only try to power 750mA of modules... this is to allow for inaccuracies in stated power consumption and higher inrush requirements (more power than stated needed on power up) of digital modules...

you're over on the -12v rail by nearly 15%

this may cause all sorts of issues - primarily not powering on properly... ie it won't work

this case is undepowered for it's size... especially when trying to power a lot of digital modules, it's probably fine when filled with mostly lower power drawing analog modules

I had the pedal (Afterneath) as well. It does what it does.. well, I guess. I just found it to take up space because it got old after a while. The FX Aid (series) is a much better general, effect module; and yes, a classic. I own the Pro (a screen and storage, but at the expense of quite a bit of space). If you use more than a few effects, make sure you keep notes. I also own a Z5000 and MFx. I guess the point of asking about Afterneath was more saying I would make sure its what you want before shelling out the money... that said, if FREE, then why not?!?

In terms of other modules I reccommend.. All (or most) of my racks are public -- generally speaking, I own and like (or at least am in experimentation with if new) with all of the modules in them. Of the top of my head... I did like adding a PPEXP1 to my Pams. Pams' can do a lot... but should it always? I would maybe look into an RND Step or another dedicated S&H module.

Eurorack Go power restrictions:

• 12 VDC Supply CAUTION: Do not exceed 1 A for each Zone, AB or C
• 5 VDC Supply CAUTION: Do not exceed 1 A total (Zones A+B+C)
• -12 VDC Supply CAUTION: Do not exceed 1 A total(Zones A+B+C)

Fx Aid is a classic: multifunction, transparent, very practical and easy to use.
Afterneath (I own the pedal version) is a wonderful effect: very deep, powerful and soft at the same time.
As for Pam's: its reputation speaks for itself...
I'm only talking here about tools that I know and like a lot. So three wonderful companions that I can recommend to you!

hey Jopair, thanks for weighing in. Yes the audio interface is to bring in outside sources. Matriarch & Sound studio 3. I "picked Afterneath" because it was free with my heavily discounted 84 hp Eurorack case. Guy I bought some stuff off was basically having a fire sale. Already having some seminmodular gear, it made sense to me that I use this 84 hp to build out utilites ans effects to go with what Ive Already got. FX aid to do Phaser/flanger/ Chorus, in small space.

Great Tips about placment for the modules! ill do that.

tarot is there as a voice if i want to play this thing as a synth, but also i liked the option for wave shapping and it can get pretty growley.

Any alternate Modules i should look into?

thanks again!

This is probably one of the most underrated modules for processing external signals and integrating with eurorack.
An unsung hero in my rack

Here are some examples where i used this module to use external external stimuli/audio as a master clock for the rest of my rack:

https://odysee.com/@Clyph_Drops:9/VITA-MASTER-CLOCK:4

EDITED Aug 25th, 03:18

Nice jam! Moskwa and Ostankino are definitely modules I'd love to try. Cheers!

The vast majority of this is going to be personal thoughts/taste; not advice.

Why the "Audio Interface"? Are you bringing in audio from Matriarch; or other sources?
What made you pick the FX aid and Afterneath? -- maybe you will be; but I'm a fan of neither.
Move Fxaid after the quad vca -- unless you know why its in front.
Can you move Pams left a spot? (audio modules next to power are more likely to introduce noise).

Never used Tarot -- probably not my cup of tea from a quick look; but again maybe its yours.

I am also building a system to complement my Matriarch and Moog sound studio 3. Looking for more effects based complements to what I already own. PLZ Roast/ Critique....point out any redundancy or anything that seems out of place or pointless. Any and all help is appreciated. Dumb Drummer got more into synths in the last few years so some practical knowlage regarding Cables/ Compatablity is certainly lacking.

Danke

Had a lot of fun with this short

MADE THIS SONG USING ONLY A DRUM LOOP FROM LUBADH,
AND CREATED INSTANT MUSIC!

Eurorack modules used:
4ms Pods 48x case
Strymon Starlab (oscillator)
Instruo Lubadh (drum loop)
Moog Mother 32 (off screen baseline)

Long version song here:
@Clyph_Drops:9/escapism:1" target="_blank">https://odysee.com/@Clyph_Drops:9/escapism:1

Instruo's modules.

I guess they're not so much 'opinionated' as as 'feature rich' though. Their circuits get pretty damn creative, which I suppose is a form of opinion.

Carn (mixer/vca) might be the least fun to talk about, but practically useful examples. There is a small switch on the back to dis/engage a limiter (soft-clipper) across the outputs. When engaged it offers 'auto-mixing' relative to disengaged as it'll tuck things in as they hit the limit. Ofc you may not want this for plenty of reasons, so they let you turn it off, but new modules come with it engaged seems the be opinion. This, to me, is best of both worlds. ability to make a decision, while also turning it off. Other opinions are the layout of the panel/s themselves. In Carn's case, each channel works subtlety (or not so subtlety) different than the others. This may be considered flexibility, more so than opinion tho... which comes at a cost of course, both financially and of brain power

EDITED Aug 24th, 13:37

Thanks, I will try it!

Second getting a Pam's early. After that... it may just depend on personal preferece/information... like do you have other voices/drums/samplers (ie. drum machine/computer/another synth) already?

point is... as someone who also 'extends into modular' from Ableton, you don't have to feel guilty about relying on other formats for some duties. modular/eurorack is incredibly flexible, but it can also be a bit like biting off more than you want to chew. looking for things that speak in the same langues (v/oct and/or 24 or 48 ppq) clock may be a more gratifying, and cheaper experience....

Personal thoughts... Consider dropping the Data (and any other module you don't KNOW you want) and get an ES-8 or ES-9. I have a Data, but can count on my finders and toes the times Ive needed to use it. eith and es8/es9, you can visualize/tune just fine on a bigger/better screen. I like using my ears though. The markets for eurorack are still strong, but not what they were a year+ ago. An es8/9 will let you interface with a daw (and its plugins) and/or VCV Rack for pretty much any module/effect already out there. If you are dead-set on not being leashed to a PC, i understand... just throwing out some scraps for thought.. 808s/909s are a dime-a-dozen and ableton isnt short on drum samples libraries. a digital sample/effect is a digital sample/effect after all... you could even get a Receive 2 if you just want to bring things into modular for whatever reason -- ie. running into data bender.

all that to say... I love the picks of Pam's, RND Step, Plaits, Data Bender, and Quad VCA. Thats not a knock the other modules, but if you already have some of this stuff in hardware, ableton or vsts, consider holding off on modules that duplicate those functions. your wallet will thank you

EDITED Aug 24th, 04:33

The benefit of adding to a semi-modular synth is that you've already got a solid base to start from. In this sense, you're not too limited by order of module purchase. The main thing I would say is to just focus on what you want the most in here and then space out the voice/effects purchases as much as possible so you've always got a good balance of sounds to modulation/utilities. Pam's is an obvious pick for one of the first modules, since it is a compact way to explore a lot of this stuff and will help organize future purchases. Same with the Quad VCA, which you will find immediate use for (especially as a way of manipulating modulation from Pam's in a tactice way).

Hello!
I am new to modular, just got my first case (TipTop Mantis) and trying to put together a synth to pair with my Moog Matriarch and Push 3 to make glitchy beats with. Planning on using the 4 CV outs from the Push for sequencing from Ableton. Roast away tbh, this is all very expensive and I'd rather hear it before I buy. I am also curious which modules I should buy first because I have to aquire the modules over time, I can't invest all at once.



(idk why the link shows as an older version of the rack)

EDITED Aug 23rd, 20:10

a filter can go before or after the vca... whichever way sounds best for you in the current patch...

-- JimHowell1970

If you are using a filter when its self-oscilating the VCA is best after the Filter so you can shut off the notes.

EDITED Aug 24th, 06:49

5 years ago... VCV Rack

Hi, thanks for the info!

looks right to me

sound source -> signal in of vca, envelope -> cv in of vca, vca out to monitors (or wherever - mixere, processing etc)

nb I use signal in because vcas can also be used for cv and not just audio - modulate your modulation

a filter can go before or after the vca... whichever way sounds best for you in the current patch...

this is generally the concept of modular... generate a signal, do something to it, send it somewhere - try not to mix cv into the audio path (it's possible to damage speakers), apply modulation to things

see my signature for hints on how to get the most versatility in patching for the least expense

Hi everyone,
I am starting to build my rack and - since I am a beginner - I have some doubts about the right signal path.
My VCO is the Make Noise DPO and it does not have a gate-trigger in.
How can I control the gate? Currently - as shown in the pic - I am sending the gate from the sequencer to the Maths and from the Maths I go into the CV of the VCA.
Another question: where is the best place to insert the filter?
Thanks in advance!