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I'm happy to help. Certainly had my fair share of head scratchers when I was getting going.
Seems like that ALM headphone module will be perfect for your needs. Personally I use a Befaco Outs V3 because I need the balanced 1/4" jacks, but if all you need is the headphone out then something like that would be overkill.
Another thing to consider, if you wanted a bit more from the ES-8 but didn't feel like going the ES-9 route there are some expanders for more ins/outs. I've got the ES-6/ ES-3 combo for 6 extra ins and 8 outs respectively. They work very well and have kept me satisfied enough with the ES-8 that I haven't really thought about upgrading to the ES-9.
much appreciated ! ive had AUM for years and never really used it but ill definitely be firing it up and having a look . ordered the headphone module from ALM today . would love to upgrade to the es-9 but i literally just got the es-8 so ill see how it goes for now !
The mixing of modular signals and ipad audio will be taken care of via whatever ipad app you're using (there are plenty of options). I found AUM to be really useful, as it lets you route audio in and out of different apps to ultimately be sent back out of the ES-8. Sure, you could just stick with Logic, but AUM will give you a lot more options.
The purpose of the output module would be to combine two mono outputs of the ES-8, for example outs 1+2, into one trs out with suitable levels for headphones.
Important distinction between 'combining' and 'mixing' here. The output module in theory shouldn't be doing any mixing. rather it's providing you with the TRS jack your headphones need.
I think you should decide if you want use the rack more for live performance or for sound design at home. In my opinion these compact synth voices (BIA, LIP, MIA) are good in a live show but when I make sounds in the studio, I usually prefer to patch up my basic Doepfer modules, because I can get more unique "modular sounding" stuff with more control over the sound. If I could go back in time, I'd only get the Bitbox, a few basic modules (vco, vca, lfo, env, etc), cool modulation sources and a matrix mixer. In you case, as others said, integrating VCV rack with Expert Sleepers, would be a huge plus.
Also, I own both the LIP and the Cs-L and the Cs-L is just way more fun for me and covers a wider acoustic palette. YouTube vids don't do justice imho. Complex analog oscillators can get gritty as hell with some distortion, more than the LIP. But they are also more unpredictible, so again, in a live show it may not be what you want.
update:
I noticed that the Vult Freak is hard to get so I searched for another option and found Intellijels Morgasmatron. It's not as expansive as the Freak but sounds very good in my opinion and has 2 circuits to use. The overdrive circuit looks useful as well, as that seems to fit my preferred sonic profile.
Added an analog sound source to offset all the digital stuff. Thought about cutting an Alia but to hell with that ;)
Replaced the mixer with smaller options to follow up on one of your tips. I mainly opted for the mixer at first because of the send/return options and integrated outputs. Toying around with some other options resulted in more stuff to use.
Added Pico DSP and Pico Out as I got those recently to add to my Cre8audio Nifty Bundle I also recently purchased (darn mono out on this otherwise awesome case sigh). Bought this case to be able to practice with purchased stuff until I have enough of them to warrant a bigger case. This also confronted me with the flexibility a MIDI controller offers so added a module for that.
Added double Disting MK4 as it can do such a heap of things I can safely assume they will add a lot of possibilities and complexity to a patch. And for the heap of things they can do they're relatively cheap as well.
Got rid of the Ghost although I like it to invest that space into more than one module instead.
Practising with PPW in VCV Rack made me cut the Euclidean Circles as I'm starting to get used to the equivalent options in PPW. I also think its 8 outs are enough to offer clocking options and use some for euclidean patterns. I don't see me using more than 3-4 patterns at once coming from PPW and 4-5 clocks seems plenty. I can also get clocks from the Data if need be.
I tried the wasp filter in VCV Rack too and I found it a bit underwhelming for my taste. Added a DJ style filter instead to add a nice performance option.
Also added some small other things derived from lessons I learned in VCV Rack.
Expert sleepers interface, well, I'm in doubt after watching some more vids on it. I'm worried that it adds "too many options". I'm still a novice at this and such a heap of options might overwhelm. I basically want as little modules as possible that need extensive interfacing with a computer. Moving into eurorack was partially motivated by wanting to move away from computers/DAW. The sampler already needs this interfacing to some extend, and I want to keep it at that if I can. When I'm comfortable with this synth, I might still buy it to expand at a later stage.
thanks for the speedy reply ! so if i add an output module im assuming it will put the combined audio from logic on my ipad through the headphones ? for example , the modular signal going into logic combined with any ipad based effects and instruments
It's a good combo, the ES-8 and ipad pro, but you'll only be able to use one interface at a time.
The solution is to put an output module next to the ES-8 with a headphone output, or sell the ES-8 and upgrade to the ES-9 which I believe has an onboard headphone amp.
hi guys , im looking to record my modular gear into my ipad whilst playing piano and other instruments as auv3 plugins over it to record compositions .
i just got the expert sleepers es-8 to use as an audio interface for my ipad pro running logic pro . i can receive audio into logic fine but i cant find a way to configure it so that the ipad doesnt use the es-8 as the audio output also .
i have a usb hub between the es-8 and ipad , and headphones plugged into the usb hub , but logic wont allow me to use the headphones as an output to listen to what im playing in logic and recording from the modular , only the es-8 .
does anyone have any experience with this setup ?
i love to hear you opinion on my module and - if someone has expirience suggestions for future functions ( i mean not things like "can you make a 1u version" or in need to make it coffee too" ;)
thanks
Howdy! I don't actually have a Victor so I'm not 100% sure, but in the manual it says this about the gate input:
"GATE IN – use this 3.5 mm TS jack socket to activate
the onboard mix envelope from an external
source. The GATE input expects a v-trig rising from
0 V to +5 V."
Whereas the Plaits has an actual built in LPG/envelope for amplitude, it looks like the purpose of the gate on Victor is to trigger an envelope that sweeps the onboard oscilator mix. Does that sound right? I also noticed the USB/Midi jack says specifically it does not respond to note on/off which makes me think it doesn't have internal VCA capabilities. I think you'll want to run it into an external VCA and use gate from the GM to trigger an envelope to control it. Cheers!
A 16 wave waveform generator. Has delay, repeats, speed internally, all of which can also be changed with CV. Trigger button or CV in.
Also allows you to “stir in” other signals to affect the wave, which produces some very interesting results.
The Used Price History history on the marketplace includes now the median price. The median price ignores the very low and very high offers and could therefore represent the more realistic price. Unicorn feature.
JSON Rack Import/Export
Unicorn users can export/import their racks as json data
This patch swings with a bouncy, organic feel, almost like an acoustic instrument. The video is a little bit messy because I couldn't sit still while filming — you'll catch glimpses of my shoulder in the frame from time to time. Sorry about that!
I hope you enjoy listening as much as I enjoyed making it.
If you like this video, please consider liking and subscribing. Your support really helps me keep creating these patches.
I am trying to play my newly acquired Behringer Victor using my Moog Grandmother , keybord out into the Victors V/Oct
and the GM Gate out into the Victors Gate In.
The V/Oct works fine but the Gate is not working, i.e i get a continuous drone from the Victor.
i use the same patching from my GM into Plaits and it works fine.
Does anyone have any ideas why this is happening with Victor? Is it a duff Victor or am i missing something very obvious?
So I guess this is the common "Hey I'm new, looking for opinions on my rack" post. …
For cases, I picked three Intj 7u 104hp cases each outfitted with a pair of 1U Octalinks to route each case to the others. That way I can just pull the 3 CAT cables off to be able to put the case lids on without having to unpatch everything.
-- TheLooseNut
A few thoughts regarding your hopes for Octalink cross-case connections.
• With a system this size you'll often find yourself patching more connections between the cases than the eight supported by an Octalink. (That won't matter when your patches will be torn down before the cases are moved.)
• Octalink connections are great for subsonic CV signals. They might or might not suffice for audio signals. You'll need to patch directly, instead, if crosstalk interferes with quality.
Were I filling out this system I would next go for an Intellijel Quadrax (or perhaps Quadra) and then a QuadVCA. At that point you'd still have all Intellijel modules which is visually (and sonically) pretty.
Maths is a function generator. Quadrax is also a function generator. They're different but serve roughly the same roles. Things like signal level balance are likely to be better between modules by the same manufacturer.
The primary version of KOMA Dual Discrete VCA cannot be added to a rack. Choosing either version from the module page adds the alternative version picture. This started some months ago. Before that it worked fine.
Thanks @Progspiration for getting us back on the right path, we should have known something was wrong :))
Thinking about this presence of an original MI Clouds, we could perhaps justify it by a desire to own a collector's item... it's not my thing, but I could understand.
The 2 clouds threw me off at first too, but reading the original description closer, the 1st row is what they have already and the 2nd row is proposed next steps. I also agree a smaller/more flexible clouds clone is a good step though
Howdy folks! I haven't posted here in a while, mostly because I haven't completed any recordings recently. I have been checking out/enjoying other posts here though. :-)
I have been busy recording, just not publishing stuff, and also enjoying a lot of DIY projects. I recently completed building the venerable Klee Sequencer and here's my first recording with it. Cheers!
I would drop the behringer envelope and get something else. (or use maths for envelopes)
+ drop the behringer vcas and mixer - and look for something like a Veils or Quad Vca with more Vcas in one module
I like Nano Modules ONA as standard vco (its small hp)
I would drop all the behringer - even the low pass filter, there are other cool filters in this hp.
Don't buy anything from @freesolo337. I will summarise my experience with him:
1 - On the 17th of August I bought a Mutable Ripples V2 from him, I sent the money and he sent the module on the 22nd.
2 - The module should have arrived at my house on August 27th but it could not be delivered. Apparently because the address on the package was incorrect, so the Spanish postal system informed me that it would be returned to Ireland. I informed @freesolo337 of this situation and he opened an incident case with the Irish postal service.
3 - A few days passed without any update. I called both the Spanish and Irish services several times; the package was still in Spain but no one knew where it was. After calling persistently for weeks I managed to get it located and sent to Ireland.
4 - The package was lost again. After calling several times and sending dozens of emails, I found out that it was blocked in customs. I had to call again over and over again and managed to get it unblocked so that it could be returned to Ireland. Throughout this whole process, @freesolo337 did nothing about it.
5 - When the package finally arrives in Ireland (12th September), it can't be delivered to @freesolo337 because there is no return address. I was told by the Irish service that @freesolo337 had to fill in a form to get the parcel back. He decided not to do so because he had already filled out a form (step 2) and apparently filling out another one was too much work for him.
6 - Since 12 September I have asked him for the incident case number of the form he opened. He has not sent it to me. The last message from him is from 17 September telling me that he had already filled in a form and that he will let me know. Since then I have not heard anything more from him, he has ignored all my messages for weeks and I am without my money and without the module I bought. I have been ripped off :(
-- nin993
Just for you to know: after one month of ignoring every single message I sent to him and after almost two months of this situation, @freesolo337 decided to appear and give me negative feedback for...whatever reason. I never imagined there could be people like these in the modular community, it's so sad and disappointing.
UPDATE: He has deleted his account in case there were any doubts about how childish and scammer this guy is. And now, the guy created 3 fake accounts just for downvoting me. It's incredible having to see this after getting scammed by him. He already has my money and my module but apparently it's not enough for him. Be careful because you can find truly awful people here.
-1 on getting rid of Maths, it's a superb module and opens up so much modulation possibility (and also has some dang snappy envelopes). And rather than a Marbles I'd suggest getting something like Divkid's RND Step which gives you a bunch of sample and holds with internal random sources. Throw in a couple ring modulators, let's say Intellijel's Amps module, and you have many of the foundational pieces that make modulation possible and fun, which after all is the point of modular!
Is there a way to lock a module in position in a rack, so it will stay locked in position when aligning other modules around it using the keyboard shortcuts?
One gripe I have about module entries that are "Approved by manufacturer" locked is that many manufacturers are not very good at keeping on top of updating their modules on ModularGrid! And the method of getting the manufacturers to update changes or correct mistakes by sending a message is sort of tedious/cumbersome and no guarantee that the change will take place or the request even read, since ModularGrid is often a low priority for them or worse yet they've gone out of business or passed on. 😔
I think a better method might be to set up a "Pending Change" status so that end users can use the normal tools to make changes to a locked "Approved by manufacturer" module but the changes wouldn't take place until the manufacturer takes action on the pending request (approves, rejects, or doesn't respond for a certain period of time, at least a week but no more than a month?) While a request is pending no more changes/pending requests can be made on that module. This way it would be more streamlined for both users and manufacturers and modules that were locked by manufacturers that don't care or are MIA can still be updated in a reasonable amount of time. (which will also reduce the need to end users to create duplicate module entries that can be edited)
how do you connect the Qx remote to the Quadrax?
-- alexangi
It just connects with a standard I2C ribbon cable. Currently I just have my Qx connected to my Metropolix, but it's compatible with Quadrax, Matropolix and Planar2.
hello,
does anyone know what capabilities do this extension module provide on the 1u plum audio ornament and crime (phazerville firmware) ?
thank you :)
This thing sounds absolutely awful. It doesn't create either interesting musical sounds, or interesting non-musical sounds. The sequencer is great, its the only thing going for it. But at $600 there are far better sequncers to get. It's not much use having a huge semi-modualr with a really cool sequencer, that sounds horrible in every other capacity. Further, you can tell that the Moog quality has severely dropped. The first three semi-modulars they put out all had really well done manuals with super useful starting patches. The manual for this is pretty sparse, and having gone through all the starting patches they had, I can't think of a single use for any of them.
Amazing modulation module and I have a lot of them! I finally found a user interface that suits me, everything is logical, well designed, practical and designed for a live game.
The strength of this module is to have 8 outputs at 8 hp and it is bipolar.
I love it so much that I'm thinking of buying a second one!
Yes, the switches you propose have a lot of sense I guess.
Passive multis doesn't work well for audio signals, so I got it the reason for your first proposition. Anyway, for me they are superuseful, not only for audio (that's mainly the reason I use buffered), for modulation too. Ambient music with a lot of modulation is more fun for me :)
But yes, fair enough switch minimix, xaoc dsp and one vails for bartender and barback, even if probably I'll miss the xaoc dsp, it's the best solution I think.
I have two original tiptop power bricks, each one output 13 V, 3.07 A max. No problem since day one.
the amperage in you case seems low, what power brick are you using? although it's strange if the uZeus rail indicators blinks even with one module plugged in..
Have you tried to remove/swap all the busboards? If it blinks even without busboards connected to the header the uZeus could have an issue. Have you inspected the back of the module? alla caps are in place?
That's very fair! I think I'm used to just running stack cables and hex/outboard passive mults that I often don't think of them as necessary, but that's my own workflow. What you're doing sounds super cool! My vote would probably be to drop Minimix, Xaoc DSP, and maybe one veils, and add the Bartender/Barback combo to mix. Whatever configuration you end up with, would love to hear what you make! Cheers friend
Hi,
thanks for the advise with the jumper.
I removed it but unfortunatly it still flashes.
With your hint, I could find other threats with simmilar problems.
I even tried to plug in the cables of single modules to doublecheck, if its maybe because of the higher start up power consumption but it still flashes..
Could it be the cable from the wall wart?
It runs13,5V / 1.11A
Hey guys
So to cut things short (very short) ive made a few silly purchases over the last 5 years in regards to modules that i dont need so ive sold a bundle of stuff to start almost from scratch. My purchases proir where mostly through impulse and my system became senseless and Infuriating when being used.
Ive decided that id love a system that could pull off some brilliant atmostpheric spacey tunes. Lots of reverb and delays i suppose haha
Also something that could help with creating a tradiotional type song structure ie .. verse chorus verse etc
id like to add beats to the music as well but ive got a few different methods of adding them in later on in the proscess.
Ive got another case (9u doepfer 84hp) so space isnt so much of an issue.
Qu-Bit Nebulas has peaked an interest for its reverb and delays
Malstrom Arkan also looks interesting but im not sure what all i can use it for
and also DATA - Mordax so i can get a better knowledge of whats happening to the sound.
I posted here to get everyones elses thoughts and possible ideas, maybe jog some creative thinking my own head haha
