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I would advise you to not drill a hole in the suitcase for your power cable but keep the suitcase shell intact for better transport (otherwise you will always have to deal with that cable) Just keep it all inside. what sort of power suply are you using. I use a 4MS one that works great with a laptop powerbank.
Ofcourse the inner dimensions are: 426 x 290 x 159 mm And I managed to get 2x80HP out of it. As you can see I also used the sides another 5HP on the left and right and another 12 HP on the top. It needs some puzzeling with depth but hey it ad's another 22 hp! When it comes to glue I'm not an expert so I cant help you with that.
A while ago I made my own suitcase interieur for a "pelicase" wichbis easy becouse of the mouting surfaces between the lids. when is see your case I think you wil have to go by glueing or drilling thru the suitcase (what would be a shame). in my suitcase I left enouch space to close the lid while patched with stackables.
For me my system is just as my mind, chaotic. I work with an erica megarack in my "studio" and a 2X80HP portable batery powered case for working outside (where I get most of my inspiration). Modules go in and out of the rack and the case and never have a permanent place in both of my cases. This way I invite my self to experiment, puzzle and avoid patching routines.
-- Niemandsland
I've heard other people say similar, but I think I'm too attention deficit to handle such chaos and be efficient. That said, I can easily see how it leads to deeper experimentation. On another note, I'd love to hear more about this battery powered rack. Did you DIY this?
-- HGsynth
it is basicly a "pelican case with a aluminium frame that I can tilt in an angle out of the case. Powered with a laptop batery charger thru a 4MS power suply. I a'm currently redisigning this case to make it more sturdy, protect the backside of the models and get some extra HP from a tighter built and by placing the power suply on the side of the inner case.
For me my system is just as my mind, chaotic. I work with an erica megarack in my "studio" and a 2X80HP portable batery powered case for working outside (where I get most of my inspiration). Modules go in and out of the rack and the case and never have a permanent place in both of my cases. This way I invite my self to experiment, puzzle and avoid patching routines.
Almost one year later I must say that I fell completly in love with modular! Love the experimentation and the great sounds I can produce with it. I now have two cases one studio case and one batery powered field case (that I love to take with me into nature). Still making dark ambiant soundscapes with drones, feedback patching, fieldrecordings (that I loop, sample and proces within the modular). Lately I am in to experimenting with building chaotic generative patches. I would realy apreciate comments, sugestion's and tips for my current setup, patching and future purchases.
Almost one year later I must say that I fell completly in love with modular! Love the experimentation and the great sounds I can produce with it. I now have two cases one studio case and one batery powered field case (that I love to take with me into nature). Still making dark ambiant soundscapes with drones, feedback patching, fieldrecordings (that I loop, sample and proces within the modular). Lately I am in to experimenting with building chaotic self generative patches. I would realy apreciate comments, sugestion's and tips for my current setup, patching and future purchases.
I use the pico output from Erica Synths for my batery powered rack. I mostly use it with headphones but it also works great with speakers with a line in.
I like it, especialy from the 7 minute mark when the sound lures me deeper into this sonic landscape (love this part, could stay here a lot longer). The transition back to the surface (14;30 and beyond) could (according to my taste) be longer and smoother. But hey I am already glad that you brought me back to the surface :-). If it was longer and smoother it would be a great piece to meditate to. Thanx for sharing!
I would go with the fx section in the MPC. Get to know theyr sounds and capabilities and then get something with a difrent sound colour and posibilities for your rack.
I would like to say you have all you need to start with the miniBrute and the MPC. Get to know them, learn how they vould work together before you start filling up your rack. If you know what the MPC and Minibrut can do and how they interact you know what you might want from the modules in your rack. Keep the learning curve small it always helped me in my creativity.
Searching for albums by Lustmord, Lull, New Risen Throne, Deathwalk, Svartsinn, Nordvargr (Pyrrula album), Vestigial, Inade, Apocryphos, Kammarheit/Cities Last Broadcast, all about the Cyclic Law and Cryo Chamber labels and also the "this is darkness" webzine (here you can find a very interesting topic just about the most personal equipments of various musicians of this genre).
If you mean myself stuff, there are not so much things because I was very discontinued for various personal issues and currently I no longer deal with music. Hope it will be useful for you. Best regards.
-- RossMotus669
You have a great taste in music! I would like to add: Council of Nine, Raison D'etre, beyond Sensory Experience, Desirerii Marginis, Musica Cthulhiana. A modular must for dark ambiant (in my opinion) is a spring reverb unit with a nice big tank!
Today I installed the first modules and made my first patch. Envelope triggering the springreverb. Springreverb into the filter. Lowpass into the mixer. Highpass into the black hole and black hole into the mixer. Sounds realy haunting just what I was looking for. Stroking the spring with my fingers, feedback, I am verry happy! while i was patching away I realized that another mixer with a gain/overdrive (as a sub) would be verry handy.
If you want to process external sounds, I would recommend an input module that includes an envelope follower (so that the incoming sound also produces a control voltage that triggers other things in the system). Doepfer makes an inexpensive one, but I didn't care for that one, so I use a Future Sound Systems TG5 which is killer. I do love the Doepfer spring reverb though. In fact, I recently weighed the pros and cons of the Erica, Intellijel, and Doepfer spring reverbs, and decided that the Doepfer was the best option for me. Finally, you may want to check out the Soma Lyra FX module for deep, dark delays. Seems like it might be valuable for the sounds you are trying to make.
Have fun and good luck.
-- farkas
Checkt out the TG5, looks realy interesting but don't know if i am willing to pay that price for an input....now. Will put it aside as a possible future purchase....
Yes, I usually have the Doepfer spring reverb feedback output patched to a VCA or low pass gate and then into a delay and/or filter. Controlled feedback is so fun.
Let us know how it goes once you start adding some modules.
-- farkas
If you want to process external sounds, I would recommend an input module that includes an envelope follower (so that the incoming sound also produces a control voltage that triggers other things in the system). Doepfer makes an inexpensive one, but I didn't care for that one, so I use a Future Sound Systems TG5 which is killer. I do love the Doepfer spring reverb though. In fact, I recently weighed the pros and cons of the Erica, Intellijel, and Doepfer spring reverbs, and decided that the Doepfer was the best option for me. Finally, you may want to check out the Soma Lyra FX module for deep, dark delays. Seems like it might be valuable for the sounds you are trying to make.
Have fun and good luck.
-- farkas
Thanks Farkas, I wil have a look at the other spring reverb units. I realy love to use them as a feedback soundsource. The idea to have the input sounds as triggers sounds very interesting! Hahaha I played with the Soma Lyra a while ago and almost bought one, I realy loved it but decided to save my gear budget for my modular built and now you tell me that I can have the Lyra effects in my modular! these are the tips I am looking for🥳.
Do I dare, o why not?! I like black panels and I like black synthesizers. I have trouble with the silver and white panels gives me the feeling that I am in a hospital. Uhm ok well, my two cent's.
Currently I make dark ambient drone music in the style of Lustmord, Beyond sensory experience, Desiderii Marginis, etc... I use guitar pedals, feedback mixing, tape loops, op1, future retro777 and some selfmade electric acoustic instruments. Now I would like to dip my toe into the (Eurorack) modular world, I have a modest understanding of synth structures but am a complete newbie when it comes to modular. A few years ago I played around with an already patched up Erica Synths modular system and I loved it! Now I would like to build my own system, watched a lot of you-tube video's but got a little overwhelmed by all the choices. Can somebody help me with a good selection of modules for the following:
-Deep, dark and noisy organic evolving structures.
-Proces external sounds.
-I would love a mean spring reverb tank.
-I don't like displays and menu diving.
-I have a start budget of 2500,- (for modules) I already own a 2 x 104HP case with power supply.