Nah. It actually works far easier than you'd think. What the Maths is is sort of weird...it has more in common with my still-needing-to-be-restored Systron-Donner 3300 analog computer project. It can output all sorts of modulation curves...even asymmetrical ones. It can output an inverted version at the same time. And you can constantly futz around with it, warping and bending the modulation BY HAND as if the module was some mutant modulation controller/source...because that's pretty much what it IS. Yeah, it's 20 hp...but that 20 in "normal" modules could probably blow up to twice that size if you tried to replicate Maths with discrete modules.
Working on this as a Mantis build...
[Later] Oh, hawt daaamn...OK, this is where I took it:
As I noted, this build is in a Tiptop Mantis.
Top: This is your "voice" path. It starts with a proper input for the guitar that ALSO has the necessary level comparator and envelope follower from which you can send amplitude-controlled modulation. Disting next, then TWO Plaits (two oscillators can sound VERY thick) along with Happy Nerding's FM Aid, which allows the pair of Plaits to work together as a rather twisted FM source with thru-zero modulation. Veils is your VCA set, then the Forbidden Planet (I've used a Synthacon...and it howls and screeches beautifully, a potentially very cutting "lead" filter) AND a Rossum Evolution for many more filter topologies. Then next, a Ladik AUX mixer/distro. It's used to bring the effects in as a parallel mix, as opposed to using wet/dry controls for FX/mix balance. But there's a little secret here, in that the Chronoblob2 has an insert in the feedback path...so you can feed the delay directly, but break out an insert to feed through the FX Aid XL and then back...and things will get STRANGE. Last is a Happy Nerding Isolator, a stereo out with transformer isolation which lets you hit the module a bit harder, and you get back some nice transformer warm-up. But MUCH more importantly, the use of the guitar opens the build up to external noise, particularly if the output isn't isolated. Ergo, this.
Bottom: Modulation and clocking. For the MIDI, I went a lot further and put in an Expert Sleepers FH-1, which is a class-compliant MIDI over USB interface that can also work as a plug-n-go interface for a USB-MIDI controller such as the Keystep. All channels are also MIDI configurable. Footpedal interface next, then a little but potent Doepfer module that has your noise source, random voltage source, and either sample and hold or track and hold. But as for the Pam's...it sounds more like what's needed here is a Temps Utile, which is what I put in. Check the specs, and you'll see why. After that main clock gen, I've added some timing FSU fun...with a dual pulse delay, a dual pulse skipper, and a Tesseract CVable Boolean logic module for messing around with the extant clock patterns, making even MORE pattern possibilities. Then the last of those modules there output gates on up, down, steady, or moving CVs, and a comparator allows you to compare two voltages and derive even MORE gates with which to feed the Boolean gates. Note, also, that the T_u contains some random sequential tricks that can ALSO benefit from these timing manglers.
After that, a 4ms Pingable Quad LFO...and yes, the "ping" functions can set your LFO times. These also have a range from 1 kHz down to a bonkers 71 minutes in waveform length. This is useful for both regular LFO duties AND as a slow-mo source for generative work. Then, yep, Maths. And it now has clock pulses to chew on, which can trigger up even MORE interesting modulation/control funtimes. After that, a Frap 321 is there to mix/mangle/invert/etc your modulation curves, and a dual VCA based on the Veils topology is next to that so that you can control modulation levels via CV. Then your main EG set is the Quadrax, with the Qx so if you want to "cascade" the four envelope gens (in whatever order you like) to behave as one huge and VERY complex device, it's an easy patch. Clock it up at audio rates and see where THAT leads!
This is why most of us don't endorse "beauty case" builds. You simply cannot build THIS in THAT. And "THIS" is a very comprehensive 2 x 104 rig that you'll have to work very hard at to exhaust the patching possibilities. It'll be an asset to you for many years, and expand nicely into a bigger configuration later on...IF you think you need to!