Warped Vinyl HiFi (Black)

Description

Gently used Chase Bliss Warped vinyl HIFI in excellent shape w/instruction manual.Manufacturer’s Description:Ooey-gooey-analog HiFi goodness. Originally conceived to simulate the effect of a warped vinyl record, but that only scratches the surface of what Warped Vinyl HiFi can do. This “true pitch” analog vibrato/chorus pedal features an all-analog signal path that can be dialed in to create limitless palette of vibrato and chorus. Warped Vinyl HiFi has several changes from previous versions, including a lag knob for lush chorus tones, reduced noise, and opportunities for more transparent and brighter tones. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered inanalog stompboxes.This device complies with part 15 of the FCC rules. Operation is subject to the following two conditions:(1) This device may not cause harmful interference, and(2) this device must accept any interference received, including interference that may cause undesired operation.TONE (RAMP)Simply put, this is a magical knob. When you don’thave any dip switches assigned for ramping, this knob functions as a tone knob for the pitch-bending vibrato side on the pedal, it doesn’t affect the dry signal onthe mix control. ”Noon” on this knob is a transparent setting, turning the knob clockwise shaves off low frequencies and turning it counterclockwise shavesoff high frequencies. Due to the digital control of this pedal, you can set this knob to control any of the five parameters individually or simultaneously (lag, mix, rpm, depth, warp) and have it either modulate or ramp-and- hold (rise or fall) via dip switches in the back of the pedal. Essentially, this knob controls the ramp time in which this takes place.LAG“Lag” refers to the delay time or latency between wet and dry signals. Turning the lag knob clockwise increases this delay between and dry signal paths and traditionally creates a more “lush” sounding chorus effect. Also be aware that as lag is increased it introduces slightly more noise into the wet signal path. With mix 100% wet in a “vibrato” mode, players will most likely want to keepthe lag knob in the extreme counterclockwise position so that there is no perceived latency between guitarpick and hearing the sound. This also results in the least amount background noise in the wet path.MIXDial this in for 100% wet effect, 100% dry, or anything in-between. Parking this somewhere in the middle introduces chorus. Make sure to play with the tone knob as you dial this in as they are pretty interactive when it comes to chorus tones.RPMThis controls the rate of the vibrato. This control can be over-ridden by the tap tempo switch.1/2/4 (3/6/8) (R/-/+) TOGGLEThis controls the tap division for tap tempo as well as the new hold features. A dip switch in the back of the pedal lets you access the “hold” mode as well as the “3 – 6 – 8” divisions in normal mode if you so desire. You can also select tap divisions for the RPM or for ramping parameters dependent on where the “tap control” dip switch is set. Note that divisions are 2x slower for ramping.DEPTHThis controls how wide the vibrato goes. Crank it clockwise for insane, pitch-bending modulation. In fact, HiFi has a wider, crazier vibrato range than previous versions, so enjoy that.WARPThis controls the center point of the modulation. Crank it to counterclockwise, the wave is going to ramp up quickly and ramp down gradually. If you crank it clockwise, the wave will ramp up gradually and ramp down quickly. If this knob is straight up and down at 12:00 it will give a perfectly symmetric wave.LEFT WAVE SHAPE TOGGLEThis controls the shape of the first half of the wave modulation. Left for sine, middle for triangle, and right for square.RIGHT WAVE SHAPE TOGGLEThis controls the shape of the second half of the wave

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